Thursday, 26 February 2015

Printing

                                               Printing





After the end of editing and design work the printing phase begins. The first step involves the production of a pre-press proof, which the printers send for final checking and sign-off by the publisher. This proof shows the book precisely as it will appear once printed and represents the final opportunity for the publisher to find and correct any errors. Some printing companies use electronic proofs rather than printed proofs. Once the publisher has approved the proofs, printing – the physical production of the printed work – begins.

A new printing process has emerged as printing on demand. The book is written, edited, and designed as usual, but it is not printed until the publisher receives an order for the book from a customer. This procedure ensures low costs for storage, and reduces the likelihood of printing more books than will be sold.

Production Process

Production process
 
 
 
•Publishing includes the stages of the development, acquisition, copy editing, graphic design, production – printing (and its electronic equivalents), and marketing and distribution of newspapers, magazines, books, literary works, musical works, software and other works dealing with information, including the electronic media.
•Publication is also important as a legal concept:
•As the process of giving formal notice to the world of a significant intention, for example, to marry or enter bankruptcy;
•As the essential precondition of being able to claim defamation; that is, the alleged libel must have been published, and
•For copyright purposes, where there is a difference in the protection of published and unpublished works.
•There are two categories of publisher:
•Non-Paid Publishers : The term non-paid publisher refers to those publication houses which do not charge author at all to publish the book.
Paid Publishers : The author has to meet with the total expense to get the book published and author has full right to set up marketing policies. This is also known as vanity publishing.
 
 
 
http://en.wikipedia.org/wiki/Publishing
 


Magaine publishing insitution


MAGAZINE PUBLISHING INSTITUTIONS
 


 
 
IPC Media is one of the leading of both consumer magazine and digital publishers in the United Kingdom. It was formed in 1963 as International Publishing Company and currently produces over 60 iconic media brands, with print alone reaching almost two thirds of UK women and 42% of UK men – almost 26 million UK adults –their websites collectively reach over 14 million users every month.IPC is owned by Time Inc, the publishing company of Time Warner Inc.
The company has many sub-brands within their portfolio such as: IPC Media Connect, Market Force, Southbank, Ignite, and TX.
Every week it gives its readers the most exciting, most authoritative coverage of the very best in contemporary music, including award winning features, the latest releases, live reviews, the definitive guide to the best new bands in its Radar section, as well as a regular look back through the magazine's incredible 58 year heritage.

 
 







Is a large German publishing company based in Hamburg, which operates in 15 countries worldwide. Since the company was founded in 1875, it has been privately-owned and under management by the Bauer family. It was formerly called Heinrich Bauer Verlag KG, abbreviated to HBV and usually shortened to H. Bauer.
 
 
Emap was the second largest magazine publisher in the UK with about 18% of the news-stands market by revenue to (IPC/Time Warner’s 20%). However 2007 the company announced a strategic review. The result was that the company was split up and sold of in December. Furthermore, the company was to be in fact called incisive –Emap, its consumer magazines went to Bauer for £1.14 billion- making the German magazine publisher the largest in Britain.
BBC magazine is the magazine publishing arm of the BBC worldwide. BBC provides a varied and wide range of magazines that target many different audiences. They focus their magazines on music, gardening, children’s popular TV programmes, cooking, cars and astrology.
February 1995 and is released in magazine style monthly, but now has a new website which is updated every day with new ‘Today’s News’ section and new features. The magazine concentrates on chart music and features and focuses more on the commercial groups. It was closely linked to the TV show ‘Top of The Pops’ which was all about the music that was currently in the charts and everyone who is into the chart music and that culture. The magazine and the website also feature interactive articles and competitions to win musical related prizes, posters and pop memorabilia of star personas
 
 
 
 
 
 
 
 
 
 
 

Depth of field- Research

Depth of field 


As a group we were set the task to gather  some information on websites as source of information for our magazine concept I looked at this website in particular and found out about the history of the  depth of field.

Depth of field refers to the range of distance that appears acceptably sharp. It varies depending on camera type, aperture and focusing distance. The depth of field does not abruptly change from sharp to unsharp, but instead occurs as a gradual transition. In fact, everything immediately in front of or in back of the focusing distance begins to lose sharpness — even if this is not perceived by our eyes or by the resolution of the camera.



CIRCLE OF CONFUSION


Since there is no critical point of transition, a more rigorous term called the "circle of confusion" is used to define how much a point needs to be blurred in order to be perceived as unsharp. When the circle of confusion becomes perceptible to our eyes, this region is said to be outside the depth of field and thus no longer "acceptably sharp." The circle of confusion above has been exaggerated for clarity; in reality this would be only a tiny fraction of the camera sensor's area.




 
 
 

Different maximum circle of confusion also applies for each print size and viewing distance combination. In the earlier example of blurred dots, the circle of confusion is actually smaller than the resolution of your screen for the two dots on either side of the focal point, and so these are considered within the depth of field. Alternatively, the depth of field can be based on when the circle of confusion becomes larger than the size of your digital camera's pixels.

Depth of field only sets a maximum value for the circle of confusion, and does not describe what happens to regions once they become out of focus. These regions are also called "bokeh," from Japanese (pronounced bo-ké). Two images with identical depth of field may have significantly different bokeh, as this depends on the shape of the lens diaphragm. In reality, the circle of confusion is usually not actually a circle, but is only approximated as such when it is very small. When it becomes large, most lenses will render it as a polygonal shape with 5-8 sides.

CONTROLLING DEPTH OF FIELD

Although print size and viewing distance influence how large the circle of confusion appears to our eyes, aperture and focusing distance distance are the two main factors that determine how big the circle of confusion will be on your camera's sensor. Larger apertures (smaller F-stop number) and closer focusing distances produce a shallower depth of field. The following test maintains the same focus distance, but changes the aperture setting:

             FOCAL LENGTH AND DEPTH OF FIELD

Focal length has not been listed as influencing depth of field, contrary to popular belief. Even though telephoto lenses appear to create a much shallower depth of field, this is mainly because they are often used to magnify the subject when one is unable to get closer. If the subject occupies the same fraction of the image (constant magnification) for both a telephoto and a wide angle lens, This would of course require you to either get much closer with a wide angle lens.

 
 
 
 
 






Wednesday, 25 February 2015

Test shoot analysis

Analysis of contents page on fashion and regional magzaines.

History of photography


 
History of photography
 
 
Ancient times: Camera obscuras used to form images on walls in darkened rooms; image formation via a pinhole

16th century: Brightness and clarity of camera obscuras improved by enlarging the hole inserting a telescope lens

17th century: Camera obscuras in frequent use by artists and made portable in the form of sedan chairs

1727: Professor J. Schulze mixes chalk, nitric acid, and silver in a flask; notices darkening on side of flask exposed to sunlight. Accidental creation of the first photo-sensitive compound.

1800: Thomas Wedgwood makes "sun pictures" by placing opaque objects on leather treated with silver nitrate; resulting images deteriorated rapidly, however, if displayed under light stronger than from candles.
 
1861: Scottish physicist James Clerk-Maxwell demonstrates a colour photography system involving three black and white photographs, each taken through a red, green, or blue filter. The photos were turned into lantern slides and projected in registration with the same colour filters. This is the "colour separation" method.


•1900: Kodak Brownie box roll-film camera introduced.

•1902: Alfred Stieglitz organizes "Photo Secessionist" show in New York City

•1906: Availability of panchromatic black and white film and therefore high quality color separation color photography. J.P. Morgan finances Edward Curtis to document the traditional culture of the North American Indian.

•1907: First commercial color film, the Autochrome plates, manufactured by Lumiere brothers in France

•1909: Lewis Hine hired by US National Child Labor Committee to photograph children working mills.

•1914: Oscar Barnack, employed by German microscope manufacturer Leitz, develops camera using the modern 24x36mm frame and sprocketed 35mm movie film.

 
1988: Sally Mann begins publishing nude photos of her children
1997: Rob Silvers publishes Photomosaics
1999: Nikon D1 SLR, 2.74 megapixel for $6000, first ground-up DSLR design by a leading manufacturer.
 
2000: Camera phone introduced in Japan by Sharp/J-Phone
2001: Polaroid goes bankrupt.
 
2003: Four-Thirds standard for compact digital SLRs introduced with the Olympus E-1; Canon Digital Rebel introduced for less than $1000
2004: Kodak ceases production of film cameras.
 
2005: Canon EOS 5D, first consumer-priced full-frame digital SLR, with a 24x36mm CMOS sensor for $3000; Portraits by Rineke Dijkstra